Conference Program

Program

To view the abstracts, please click on the names in the program, or click here!

Tuesday 30 July
		Auditorium
	10:00-17:00	Registration
	17:00-17:30	Official welcomes
	17:30-18:00	Celebration: CantusPlanus@40
	18:00–18:40	Keynote Lecture
		Barbara Haggh-Huglo: Between Du Fay and Today: The Praemonstratensian Order and the Survival of the Recollectio Gaudiorum Beatae Mariae Virginis
	19:00-20:00	New Abbey church: Vespers (Hungarian Gregorian chant, Palestrina)
	20:15–22:00	Courtyard of the Premonstratensian Secondary School: Open Air Dinner (Gulash Party)

Wednesday 31 July
		Aula		Auditorium
			8:00-9:00	Registration
	9:00-10:45	Saints, Cults, Offices Chair: Roman Hankeln	9:00-10:45	Early Chant, Oldest Repertories Chair: Charles M. Atkinson
	9:00-9:20	Yossi Maurey: Revealing Lazarus in Medieval France	9:00-9:20	John Caldwell: Mapping Musical Space in the Early Middle Ages: A Hypothetical Reconstruction
	9:20-9:40	David Andrés Fernández – Santiago Ruiz Torres: The Rhymed Office for Saint Raymond of Roda: Poetry and Veneration in Medieval Aragon	9:20-9:40	Miklós István Földváry: From Mapping to Narrative: The Diversity of Ember Saturday Canticles
	9:40-10:00	David Eben: ‘Behold, the Morning Star Shines’: The Offices of St Ludmilla in Medieval Bohemia	9:40-10:00	Daniel S. Katz: A Gregorian Chant, a Melodic Revelation from Mount Sinai, and the Burning of Martyrs at the Stake: the Legends and Presumed Relationship of Sanctus and Aleinu
	10:00-10:20	Ana Čizmić Grbić – Sara Vrdoljak: The Office of Saint Quirinus of Siscia	10:00-10:20	Harald Buchinger: Monastic Reform and the Codification of Processional Chants. A Case Study of St. Emmeram (Regensburg)
	10:20-10:45	Discussion	10:20-10:45	Discussion
	10:45-11:00	Coffee	10:45-11:00	Coffee
	11:00-12:45	Chant in Female Communities Chair: Jennifer Bain	11:00-11:40	Cantus Planus Research in Lisbon 1. Fragments, Comparative Analysis, Technological Tools Chair: David Eben
	11:00-11:20	Karin Lagergren: The Birth of a Liturgy: The Offices Cantus sororum and Stabat Virgo and the Birgittine Order	11:00-11:20	Manuel Pedro Ferreira: Texts and Voices Lost and Found. Recovering, Reconstituting, and Recreating Musical Fragments (c.1100–c.1600)
	11:20-11:40	Nausica Morandi: A New Musico-Liturgical Source of the Officium Stellae	11:20-11:40	Manuel Pedro Ferreira, (Elsa de Luca, Martha Thomae): ECHOES. An Interface for the Automatic Analysis of Plainchant
			11:40-12:40	Cantus Planus Research in Lisbon 2. Plainchant in Late Sources (Fifteenth-Century Onwards)
	11:40-12:00	Nicholas Bleisch: Juliana of Mont-Cornillon and the Premonstratensians: the Reception of the Early Corpus Christi Feast as Seen through its Late Variants	11:40-12:00	Kristin Hoefener: Exploring Liturgical Identity: A Case Study of the Female Dominican Convent of Jesus in Aveiro (15th c.)
	12:00-12:20	Discussion	12:00-12:20	Océane Boudeau: The Musical Manuscripts from the Hieronymite Monastery of Belém
			12:20-12:40	Alberto Medina de Seiça: Chant Manuscripts from the Ducal Palace (‘Arquivo Musical do Museu-Biblioteca da Casa de Bragança’): A Survey of the Cataloguing Process
	12:45-14:05	Lunch at Amenza
	14:05-16:10	Chant Paleography Chair: Christelle Cazaux	14:05-16:10	Music Theory Chair: Jeremy Llewellyn
	14:05-14:25	Pieter Mannaerts: The Codex Eyckensis, a New Eighth-Century Source for the Study of litterae significativae	14:05-14:25	Shin Nishimagi: La tradition manuscrite du Dialogus de musica (c. 1000) : une perspective revisitée
	14:25-14:45	Irina Chachulska: Unity Amidst Diversity: Tracing Various Forms of Cistercian Notation	14:25-14:45	Jasmin Hartmann-Strauß: Diagrams in the Manuscript Tradition of Boethius´ De institutione musica: Formations and Transformations
	14:45-15:05	Chiara Mazzoletti: Exploring the Uniqueness of the Eleventh-Century Lucca Missal: A Paleographical and Liturgical Study	14:45-15:05	Charles M. Atkinson: “Wrong-Way Corrigan?” or just a little off-course? The Alia musica´s Expositor and the Modes
	15:05-15:25	Antanina Kalechyts: Saint Gall Neumes: Further Inputs for Interpretation	15:05-15:25	Lila Collamore: Hexachords and the Melodies of Gregorian Chant
	15:25-16:00	Discussion	15:25-16:00	Discussion
	16:00-16:25	Coffee	16:00-16:25	Coffee
	16:25-18:30	Chant in the Early Modern Era Chair: Balázs Déri	16:25-18:30	Byzantine Chant in Southern and Eastern Europe Chair: Alexander Lingas
	16:25-16:45	Dominika Grabiec: The Seventeenth-Century Dominican Gradual from the Female Convent in Piotrków Trybunalski as a Testimony of the Reception of the Liturgical Reforms and Polish Traditions	16:25-16:45	Flora Kritikou: Between Texts and Liturgy: Western Elements in the Ecclesiastical Repertory of Cyprus (15th-17th c.)
	16:45-17:05	Paweł Kasprzyk: Historically Informed Performance of Late Plainchant – Sixteenth- to Eighteenth-Century Liturgical Monody from the Abbeys of Polish Benedictine Nuns after the Reform by Magdalena Mortęska	16:45-17:05	Svetlana Poliakova: The Lenten Hymnography: In Search of Parallels to Old Russian Sticheraria
	17:05-17:25	Anette Papp: Gregorianischer Gesang in der Praxis der sächsichen Unitarier in Siebenbürgen	17:05-17:25	Giuseppe Sanfratello: ‘Multipart Chanting’ in the Ionian Islands: Sources, Revival, and Performers
	17:25-17:45	Henry T. Drummond: Questioning Temporality in the Revision of Early Modern Chant	17:25-18:00	Discussion
	17:45-18:05	Helen Rossil: Experience and Agency in Traditional Danish Hymn Singing
	18:05-18:30	Discussion
	19:00-20:00	Concert in the Abbey church, 'In memoriam László Dobszay' Contemporary Latin and Greek monodies from Hungary (Judit Rajk, alto, László Kéringer, tenor, Tamás Zétényi, cello)

Thursday 1 August
		Aula		Auditorium
	9:00-10:30	Regional Identities / Anglo-Saxons and Normans Chair: Emma Hornby	9:00-10:30	Byzantine/Eastern Chant: Liturgy, Education, Performance Practice Chair: Svetlana Poliakova
	9:00-9:20	Thomas Phillips: New Discoveries in Bodleian Library, Laud Misc. 4: Unraveling the Transmission of the Office of St Alban	9:00-9:20	Alexander Lingas: Ps 23:7–10 (LXX) as a Chant of the Byzantine Rite
	9:20-9:40	Cassandra Fenton: Pisteuuo is ena Theon in CCCC163: Investigating the Greek Credo in Anglo-Saxon England	9:20-9:40	Christian Troelsgård: Elementary Chant Education in Later Byzantium
	9:40-10:00	Roman Hankeln: Notated Medieval Liturgical Fragments in the Gunnerus-Library, Trondheim (Norway)	9:40-10:00	Haig Utidjian: On the Armenian Versions of the Phōs hilaron
	10:00-10:20	Marit Johanne Høye: Some Observations on Regional Variants with Kyrie Chants and Sequences	10:00-10:20	Jonas Karlsson: Melodic Families and Interlinear Musical Notation in Ethiopian-Eritrean Antiphonaries
	10:20-10:45	Discussion	10:20-10:45	Discussion
	10:45-11:00	Coffee	10:45-11:00	Coffee
	11:00-12:45	Regional identities / Central Europe, 'In Memoriam Lenka Hlávková' Chair: Charles E. Brewer	11:00-12:00	Forum of the Next Generation (Pecha Kucha 1) Chair: Karin Lagergren
	11:00-11:20	Hana Vlhová-Wörner – Konstantin Voigt: From West to East: Benedicamus Splendor patris and Sanctus Deus Pater, iudex		Domonkos Farkas: László Dobszay, the Composer, and the New Hungarian Gregorian Chant Ábel Stamler: Servitium includendorum. An Analysis of Initiatory Rites of Mediaeval Contemplative Anchorites Katalin Suba: Chants of the Mass in the Early Printing Period: A Textual Approach and Quantitative Survey Balázs Horváth: A Critical Examination of the Codex Pray. The Liturgical Use of a Late Twelfth-Century Hungarian Sacramentary and its European Context Giorgio Zoia: Saints and Celebrations in Treviso before the Council of Trent, and Continuity Anna Utkin: The Hungarian-Language Greek Catholic Chant Tradition (until 1950): Between Politics and Faith Samuel Škoviera: Database for the Byzantine Liturgical Tradition – Challenges and Perspectives
	11:20-11:40	Lucia Denk: ‘Imperatrix gloriosa, Imperatrix angelorum’: Transforming Mariological and Musical Aesthetics Through an ‘Imperial’ Medieval Sequence
	11:40-12:00	Rhianydd Hallas: Missing Chants and Unspecified Melodies: How Scribes Dealt with Incompletely Transmitted Offices
	12:00-12:20	Katarina Šter: The Power of a Random Source: Discubuit Iesus and its Slovenian Translation	12:00-12:45	Discussion
	12:20-12:45	Discussion
	12:45-14:05	Lunch at Amenza
	14:05-16:10	Fragments East and North Chair: Zsuzsa Czagány	14:05-16:10	Iberia, Old Hispanic Chant Chair: David Andrés Fernández
	14:05-14:25	Hilkka-Liisa Vuori: In Search of the Origins of the Missal F.M.I.26 – A Case of the Communion Lutum fecit	14:05-14:25	Melanie Shaffer: The Old Hispanic Graeci
	14:25-14:45	Jorma Hannikainen: Features of the Melodies in the Liturgical Manuscripts of the Late Medieval Turku Diocese: As a Case Example Graduale Ilmolense (The National Library in Helsinki A^o II.55)	14:25-14:45	Emily Wride: Notational Diversity in the Old Hispanic Toledo Corpus
	14:45-15:05	Gabriella Gilányi: From the Cantional of the ‘Monks in a Wimple’ to the Codex Fragments. A Premonstratensian Chant Notation and Its Sources in Medieval Hungary	14:45-15:05	Marcus Jones: The Transmission of Chant at San Millán de la Cogolla in the tenth and eleventh centuries
	15:05-15:25	Eva Veselovská: New Ecosystem of Early Music – Medieval Fragments of Premonstratensian Origin from Slovakia	15:05-15:25	Emma Hornby: Saint Michael the Archangel in Early Medieval Iberia: An Interdisciplinary Reading
	15:25-15:45	Fanni Hende: Newly Discovered Liturgical Codex Fragments at the National Archives of Hungary. An Ongoing Research Project	15:25-15:45	Francesco Orio: The Gradual E-Bbc ms1805: Study on Notation, Liturgy, and Catalan Identity
	15:45-16:10	Discussion	15:45-16:10	Discussion
	16:10-16:25	Coffee	16:10-16:25	Coffee
	16:25-17:55	Forum of the Next Generation (Pecha Kucha 2) Chair: Katarina Šter	16:25-17:55	Manuscript Studies Chair: Debra Lacoste
		Mózes Enyedi: Responsoria brevia in Manuscripts from Medieval Hungary and their Melodic Groups Megan Webb: Identifying Scribes and Hands in BL Add. MS 16950, the Seligenthal Gradual László Dávid Varga: Attitudes Toward Genre, Orality and New Composition in the Melodic Tradition of Responsory-Communions Julianna Kőnig: The Lamentations in Medieval Hungarian Sources Borbála Tóka: Ex parte enim cognoscimus – Secrets of the Restoration of a Chant Manuscript Fragment Eszter Göbölösné Gaál: Small Fragments, Interesting Stories	16:25-16:45	Henry Parkes: Early Medieval ‘Night Antiphoners’ and the Logistics of Nocturnal Chant
			16:45-17:05	Paul Kolb: Notational Paradoxes in Liturgical Polyphony
			17:05-17:25	Miriam Wendling: Using Polyphonic Sources for Plainchant Research
	17:25-17:55	Discussion	17:25-17:55	Discussion
	18:00-19:00	Dinner in the school canteen
	19:20-20:30	Plenary Session 'In memoriam Janka Szendrei' Lectures with a Short Concert of the Schola Academica
		Zsuzsa Czagány: Pieces of a Giant Puzzle. Music Manuscript Fragments at the Crossroads of Times, Regions, and Disciplines
		Gábriel Szoliva OFM: Sapientia aedificavit – The Earliest Surviving Noted Example of the Archaic Office of the Feast of Corpus Christi Found in Zagreb
	20:30-23:30	Informal barbecue in Abbey Firepit (for the Next Generation)

Friday 2 August

	8:30-20:00	Excursion to Vác, Nagymaros, Nagybörzsöny, Tereske, Pásztó, Aszód (cold food, coffee and refreshments are provided at stops)
	16:00-17:00	Plenary Session in Pásztó (St Lawrence Church) 'In memoriam Benjamin Rajeczky’ Chair: Miklós István Földváry
		Charles E. Brewer: The Lyrics of Bartłomiej z Jasła in the Context of Late Medieval Latin Song
		Balázs Déri: Medieval Latin Literary Works as Secondary Liturgical Sources
		Barbara Haggh-Huglo: Michel Huglo at Solesmes, his Catalogue of Processionals, his Research on Music Theory, and his Papers

Saturday 3 August
		Aula		Auditorium
	9:00-10:45	Chant, Composition, Performance Chair: Franz-Karl Prassl	9:00-10:45	Sequences, Tropes, Benedicamus Domino Chair: Hana Vlhová-Wörner
	9:00-9:20	Xaver Kainzbauer: The ars cantilenae or, How the responsoria prolixa of the Cantus Gregorianus are Composed	9:00-9:20	Nicholas D. Y. Ball: The Written Tradition of Monophonic Untroped Benedicamus Domino Chants
	9:20-9:40	William Peter Mahrt: Dynamic Parallelism in Gregorian Chants	9:20-9:40	Jack Stebbing: Two Newly Discovered Organal Sequences in the Winchester Troper
	9:40-10:00	Geert Maessen: A New Interpretation of the Special Signs in the Dijon Tonary	9:40-10:00	Uri Jacob: Exsultent agmina as a Topical Crusader Sequence
	10:00-10:20	Leo Lousberg: Signal Tones, the Art of Interruption as Practiced by Radbod of Utrecht (c. 910) and Hildegard von Bingen (c. 1150)	10:00-10:20	Laura Albiero – Alessandra Ignesti: Submersus iacet: Benedicamus Domino Melodies and Tropes in the Patriarchate of Aquileia
	10:20-10:45	Discussion	10:20-10:45	Discussion
	10:30-11:00	Coffee	10:30-11:00	Coffee
	11:00-12:45	Sources, Liturgical Practices Chair: Miklós István Földváry	11:00-12:45	Chant Outside Europe Chair: Barbara Haggh-Huglo
	11:00-11:20	Franz-Karl Prassl: Chromatic Semitones, Music Theory and the Seckau ‘Graduale Magnum’	11:00-11:20	Elizabeth J. Markham: ‘Modal modulation’ by Way of Melodic Double-Entendre Cued in Vocables and a Neumatic Script for Early Japanese Buddhist Chant
	11:20-11:40	David Merlin: The Year of the Praying Sicks. Religious Practices in Austrian Hospitals During the Later Middle Ages with an Attempt to Reconstruct the Liturgical Year in the Civic Hospital of Vienna	11:20-11:40	Lionel Li-Xing Hong: A Musicologist Robed as a Missionary: Jean Loriquet, SJ (1813–1886) and His Musical Writings
	11:40-12:00	Cristina Alís Raurich: A Newly Discovered Early Thirteenth-Century Gradual-Troper-Sequentiary from Southern France: The Saint Maur Manuscript	11:40-12:00	Kiko Matsuhashi: Vernacular Congregational Singing in Catholic Churches Before the Second Vatican Council
	12:00-12:20	Melanie Batoff: The Visitatio sepulchri: The Platypus of Medieval Liturgical Rites?	12:00-12:45	Discussion
	12:20-12:45	Discussion
	12:45-14:15	Lunch at Amenza
	14:15-16:00	Roundtable Session: Beyond Online – Digital Resources and the Question of Editions Presider: Debra Lacoste	14:15-16:00	Roundtable Session: New Questions, Old Manuscripts: Current Directions in Old Hispanic Chant Palaeography
		Debra Lacoste: Introduction David Eben: The ‘Melody ID’ and the ‘Ideal Type’ Jean-François Goudesenne: Twelve Chants: Examples in the Mass and Office Involving Modifications in the ID, data Comparisons, and New Evidence in Oral-Written Chant Transmission Anna de Bakker: Singing from the Sources: Using the Cantus Ultimus Portal to Find and View Manuscript Images Matthew Peattie: An Edition of Recall Notation? Kristin Hoefener: Teaching Through Performance: ESMAE Students Collaborate on a Concert Program Featuring Hieronymite Liturgical Manuscripts in Porto		Emma Hornby, Marcus Jones, Francesco Orio, Melanie Shaffer, Emily Wride Respondent: Manuel Pedro Ferreira
	16:00-16:15	Coffee	16:00-16:15	Coffee
	16:15-18:00	Panel Session: Digital Cantus Planus: Present and Future Chair: Manuel Pedro Ferreira
	16:15-16:45	Christelle Cazaux – Laura Albiero – Matthieu Romanens: The Carmina Burana Online Project: How to ‘Edit’ Melodies Noted in Adiastematic Neumes?
	16:45-17:05	Emily Wride – Marcus Jones: SCRIBEMUS, one year in: Research Updates and Perspectives
	17:05-17:25	Debra Lacoste – Jennifer Bain: Projects, Platforms, and Partnerships: Linking Digital Chant Tools
	17:25-18:00	Discussion
			18:00-20:00	Business meeting
	20:00-20:30	Farewell
	20:30-23:00	DINNER